Stella G. Gitelman Willoughby (b.2000) is a national and international award-winning composer from Cambridge, Massachusetts.
Stella composes for solo instruments, voice, large and small chamber ensembles, and symphony orchestra. She writes for concert performances, music festivals, dance, performance and public art installations, audition repertoire, film, to accompany historical and liturgical text, for student musicians, and academic presentations.
Stella highly values the individuality of each performer, and the unique qualities of each instrument. She creates works that highlight their distinct sound, bringing it to the forefront. She loves the challenges of writing music of greater complexity and instrumentation.
Stella has her own musical voice.
“When I am composing, I am smiling.”
Her original compositions are commissioned, licensed, and performed by musicians, ensembles, and symphony orchestras throughout the United States and around the world, reaching Boston, New York, St. Louis, Dallas, Hawaii, Canada, Italy, Germany, Czech Republic, Poland, and Australia; by members of the Boston Ballet, Boston Pops, Nuremberg Symphony Orchestra (Germany), and Edmonton Symphony Orchestra (Canada); by the Hawaii Symphony Orchestra chamber ensemble, Sound Icon Ensemble, PUBLIQuartet, Equinox Chamber Players, Camerata Winds Quintet, Dinosaur Annex, New Composers Ensemble, Juventas New Music Ensemble, Berklee Contemporary Symphony Orchestra, at the Annual Edmonton Fringe Festival (Canada) and Boston’s Old South Church, among others.
Stella is majoring in Composition at Berklee College of Music. She currently studies with composer Panagiotis Liaropoulos. Stella has also studied with composers Richard Carrick, Marti Epstein, and Alla Elena Cohen.
Stella has a self-designed minor in Music Archives. She works with archival music collections from the 10th—21st century including those at the Boston Symphony Orchestra, Harvard University, Folger Shakespeare Library, and Museo Civico Medievale in Bologna, Italy. She reads Latin and early music notation.
Stella enjoys supporting other composers and musicians by collaboratively orchestrating, engraving, and archiving their works.
Stella can also be found reading the plays of William Shakespeare, conducting early modern paleography, and eating large quantities of ice cream.